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Frederick Remington
1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).

 

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Frederick Remington Great Explorers oil painting

Painting ID::  4298

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Frederick Remington
Great Explorers

   
   
     

 

 

Frederick Remington The Buffalo Runner oil painting

Painting ID::  4299

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Frederick Remington
The Buffalo Runner

   
   
     

 

 

Frederick Remington Bringing Home the New Cook oil painting

Painting ID::  4300

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Frederick Remington
Bringing Home the New Cook

   
   
     

 

 

Frederick Remington The Outlier oil painting

Painting ID::  4301

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Frederick Remington
The Outlier

   
   
     

 

 

Frederick Remington Indian Trapper oil painting

Painting ID::  4302

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Frederick Remington
Indian Trapper

   
   
     

 

 

Frederick Remington Old Stage Coach of the Plains oil painting

Painting ID::  4304

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Frederick Remington
Old Stage Coach of the Plains

   
   
     

 

 

Frederick Remington If Skulls Could Speak oil painting

Painting ID::  4305

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Frederick Remington
If Skulls Could Speak

   
   
     

 

 

Frederick Remington When Heart is Bad oil painting

Painting ID::  4306

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Frederick Remington
When Heart is Bad

   
   
     

 

 

Frederick Remington Arizona Cowboy oil painting

Painting ID::  4307

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Frederick Remington
Arizona Cowboy

   
   
     

 

 

Frederick Remington Coming and Going of the Pony Express oil painting

Painting ID::  4308

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Frederick Remington
Coming and Going of the Pony Express

   
   
     

 

 

Frederick Remington The Fall of the Cowboy oil painting

Painting ID::  4310

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Frederick Remington
The Fall of the Cowboy

   
   
     

 

 

Frederick Remington Scout oil painting

Painting ID::  4311

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Frederick Remington
Scout

   
   
     

 

 

Frederick Remington Dismounted oil painting

Painting ID::  4312

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Frederick Remington
Dismounted

   
   
     

 

 

Frederick Remington The Scout : Friends or Enemies oil painting

Painting ID::  4314

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Frederick Remington
The Scout : Friends or Enemies

   
   
     

 

 

Frederick Remington Victory Dance oil painting

Painting ID::  4315

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Frederick Remington
Victory Dance

   
   
     

 

 

Frederick Remington Shotgun Hospitality oil painting

Painting ID::  4316

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Frederick Remington
Shotgun Hospitality

   
   
     

 

 

Frederick Remington A Cavalryman's Breakfast on the Plains oil painting

Painting ID::  4318

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Frederick Remington
A Cavalryman's Breakfast on the Plains

   
   
     

 

 

Frederick Remington His First Lesson oil painting

Painting ID::  4319

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Frederick Remington
His First Lesson

   
   
     

 

 

Frederick Remington Apache oil painting

Painting ID::  4320

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Frederick Remington
Apache

   
   
     

 

 

Frederick Remington Turn Him Loose, Bill oil painting

Painting ID::  4321

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Frederick Remington
Turn Him Loose, Bill

   
   
     

 

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Frederick Remington
1861-1909 Frederic Sackrider Remington (October 4, 1861 - December 26, 1909) was an American painter, illustrator, sculptor, and writer who specialized in depictions of the Old American West, specifically concentrating on the last quarter of the 19th century American West and images of cowboys, American Indians, and the U.S. Cavalry. Remington was the most successful Western illustrator in the ??Golden Age?? of illustration at the end of the 19th Century and the beginning of the 20th Century, so much so that the other Western artists such as Charles Russell and Charles Schreyvogel were known during Remington??s life as members of the ??School of Remington??. His style was naturalistic, sometimes impressionistic, and usually veered away from the ethnographic realism of earlier Western artists such as George Catlin. His focus was firmly on the people and animals of the West, with landscape usually of secondary importance, unlike the members and descendants of the Hudson River School, such as Frederic Edwin Church, Albert Bierstadt, and Thomas Moran, who glorified the vastness of the West and the dominance of nature over man. He took artistic liberties in his depictions of human action, and for the sake of his readers?? and publishers?? interest. Though always confident in his subject matter, Remington was less sure about his colors, and critics often harped on his palette, but his lack of confidence drove him to experiment and produce a great variety of effects, some very true to nature and some imagined. His collaboration with Owen Wister on The Evolution of the Cowpuncher, published by Harper??s Monthly in September 1893, was the first statement of the mythical cowboy in American literature, spawning the entire genre of Western fiction, films, and theater that followed. Remington provided the concept of the project, its factual content, and its illustrations and Wister supplied the stories, sometimes altering Remington??s ideas. (Remington??s prototype cowboys were Mexican rancheros but Wister made the American cowboys descendants of Saxons??in truth, they were both partially right, as the first American cowboys were both the ranchers who tended the cattle and horses of the American Revolutionary army on Long Island and the Mexicans who ranched in the Arizona and California territories).